Another item we did some months ago: Gary Chaffee style linear phrases including a two-note pattern, this time in a triplet rhythm in 3/4. As you are no doubt familiar with by now, Chaffee wrote […]
Year: 2017
Page o’ coordination: triplet pattern with cymbal variations – 02
Part 2 of something we did way back in January (where the hell did the year go, actually?), changing cymbal rhythms against a steady left hand and bass drum pattern. Here we’re just inverting the […]
Anti-book review
What’s it even called? Guitar Center Lessons Drums Book 1? UPDATE: I had a student’s parent try to purchase this book, and it turns out it’s not for sale without purchasing lessons from them. Too […]
Billy Higgins trading 4s
This is from the same tune as the recent post Comping The Billy Way— Things Ain’t What They Used To Be, with Hank Jones and Ray Drummond, from the album The Essence. Here Higgins is […]
Rock in 5/8 – 01
5/8 and 5/4 are good meters to practice to if you want to improve your concentration, and disrupt playing habits. Five-note patterns in general, too. For many years my playing was extremely 3 oriented; whatever […]
5/8 accents in a triplet feel
I’ve worked on triplets and */8 feels a lot in my 35+ years playing the drums, and played a lot of music in the style, and still there’s a certain type of shuffle or 12/8 […]
Stone on drumset: sixtuplet exercise
We’re doing quite a bit with the book Stick Control on the drumset these days. There are a lot of things I don’t like about the book— mainly that it’s based on abstract sequences of […]
Comping the Billy way
Here’s a fresh lesson on simplicity in comping in jazz— file this along with the post about the “Kenny” note from a few years ago. I’ve transcribed some ideas from Billy Higgins’s playing on Things […]
Practice loop: Wilson Pickett – Mojo Mama
By the way, all of yesterday’s ranting and raving about people’s drum covers doesn’t apply to my sampled practice loops, which are lovely, highly recommended, and serve a totally different function. We’re not aiming for […]