Another funk Afro 12/8 groove, played this time by Ignacio Berroa, on his record Codes, on the tune Woody’n You. From the intro: As you can probably see he’s playing rumba clave on the cowbell. […]
Category: 12/8
5/8 accents in a triplet feel
I’ve worked on triplets and */8 feels a lot in my 35+ years playing the drums, and played a lot of music in the style, and still there’s a certain type of shuffle or 12/8 […]
Todd’s funk shuffle drill
This is a loose collection of stuff with which you can drill a rather busy, modern funk shuffle feel or triplet funk feel, a la Lopsy Lu or The Brecker Brothers’ Inside Out: OK, those […]
Page o’ coordination: triplet pattern with cymbal variations – 01
A slight variation on our usual page o’ coordination thing; here we’re doing a set triplet pattern on the snare drum and bass drum, along with various cymbal parts— some are standard rhythms, and some […]
Basic fluency in 12/8
Right, so it looks like we’ll be doing a lot with this triplet feel this week— mainly getting comfy improvising within this 12/8-style blues, soul or pop groove. Think Lopsy Lu, Higher Ground, Isn’t She […]
Page o’ coordination: “Afro Blues” bell – 02
Another page of coordination patterns for this Afro/shuffle cymbal pattern, which I’ll go ahead and call “Afro Blues” because I feel like it. It came up in my own playing, and I’m not aware of […]
Page o’ coordination: Afro shuffle bell pattern
This is something that came up in playing Back At The Chicken Shack, a shuffle by organist Jimmy Smith . We play a pretty open interpretation of the style on that tune, not a strict Blue Note […]
Page o’ coordination: shuffle bass drum variations
It’s a busy, busy, busy, busy time here— lots of gigs, lots of teaching, lots of work to be done on my house as we convert our little back house into an Air b’n’b. Nevertheless, […]
Studio triplet feel
Here’s a set of basic patterns for making a 70s-style triplet groove, or a moderate, triplety, shuffle,, as you hear on songs like Isn’t She Lovely, How Sweet It Is To Be Loved By You, […]
