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Category: 5/4

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Cracking 5/4: listening

  • June 7, 2012
  • 2

Here’s the first in a series on playing in 5/4. Since everything in music follows from listening (and this is the easiest type of post for me to write), we’ll start with some recorded examples: […]

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  • The Melodic Drummer

More Stick Control in 5/4

  • June 1, 2012
  • 1

Another nice addition to your 5/4 practice library: Andrew Hare @ The Melodic Drummer has taken my Stick Control in 5/4 thing a step further, applying an Alan Dawson interpretation to it, filling in the […]

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  • Page o' Coordination

Elvin’s Afro-Waltz: in 5/4, part 2

  • May 12, 2012
  • 0

Man, I’ve been writing way too many words recently. Let’s get back to the drums. I’m still spending most of my time with page one of this series, but here’s another variation on the Elvin […]

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Elvin’s afro-waltz: in 5/4

  • May 7, 2012
  • 0

I’ve been working with Elvin’s waltz daily since I first posted about it, and have been getting great results- and not just with playing this particular type of feel. So let’s keep developing it. It […]

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5s around the drums

  • April 25, 2012
  • 0

I’ve enjoying practicing my previous around-the-drums things so much, I thought I’d run it through a few iterations- similar to my multi-page paradiddle exercise– and see what we get. Today it’s 16th note 5s, using […]

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  • Jon Christiansen
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Transcription: Jon Christensen – Dansere

  • February 19, 2012
  • 5

This goes out to my old friend Tim Willcox, who turned me on to this record- Jan Garbarek’s Dansere, with Jon Christensen on drums. Christensen is pretty important to the current thing going on in […]

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  • Stone
  • Todd's Methods

Todd’s Methods: Stick Control in 5

  • January 23, 2012
  • 4

So much for writing nothing. I’ve been doing a lot of practicing in 5/4 lately- I’ve always quite sucked at it, frankly- and finally getting it together for real has been a curious process. Very […]

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  • Wilcoxon

Wilcoxon rhumba studies in 5/4

  • March 11, 2011
  • 0

Here I have rewritten a page from the Wilcoxon Drum Method, which I’ve been using a lot lately. I’ve put his “swing or rhumba” studies (p. 31, two-measure syncopation and accent studies in 4/4) into […]

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