This is one of many pages of original Syncopation variants I’ve written up, in this case restricted to combinations of dotted quarter notes, quarter notes, and single 8th notes. I’ve devised a few interpretive methods […]
Category: drums
Groove o’ the day: Billy Cobham in 17/16
I present this just as a curiosity, because I’ve never encountered this meter anywhere before (maybe in a percussion ensemble piece?). But you can see how we usually deal with the odd #/16 meters; often […]
Batucada on the drum set
We haven’t done anything new with samba in awhile, because I’m still digesting all of the stuff we’ve done previously. But here’s something new that came up yesterday, using open and muffled tones on the […]
Transcription: three Philly Joe intros
Must do shorter, faster posts. That last one took way too many hours. Here: Get the pdf Get Dance of the Infidels | get Hank by Hank Mobley Get I’ll Never Smile Again | get […]
On “feathering” the bass drum
what is this The word refers to playing quarter notes lightly on the bass drum as part of your jazz time feel. They used to call this playing the bass drum— I never heard the […]
Brushes… fast… hoo…
As I finish up the thing I’m working on, do yourself a favor and visit The Melodic Drummer for an excellent post on playing brushes at really, really fast tempos. You can also brush up […]
Transcription: one hour with Live Evil
This morning I sat down with one of my favorite pieces of music- Sivad, from Miles Davis’ Live Evil, with Jack Dejohnette on drums- to see what I could do with it in a reasonable […]
Dahlgren & Fine and me
4-Way Coordination by Dahlgren & Fine is a major piece of drumming literature that I’ve always had a lot of problems using. There’s been a lot of discussion about it on the Drummerworld forum lately, […]
Jack Dejohnette’s Special Edition – 1983
This is timely: several outstanding clips of Jack Dejohnette’s Special Edition which I hadn’t seen before just came up on Reddit: h/t to Goatthroat Three more screaming parts after the break:
Todd’s methods: Reed triplets in steps – BD
One of the common interpretations applied to Ted Reed’s Syncopation is to fill out the written rhythm with triplets, which can be pretty technically challenging due to all the doubles and multiples that come up. […]