30 seconds long, no explanation, no BS, no nothing except everything you need to know about the subject: More of Ted Warren’s excellent series of brush videos after the break:
Category: drums
Coordination “kernels”
Here’s one for the teachers. This is an approach I’ve found helpful with students having difficulties with coordination on written patterns in jazz and Latin, and a good alternative/supplement to the usual solution of “slowing […]
Todd’s methods: Afro-Cuban in 6/8 and 3/4
Here’s something I wrote strictly for my own use, which I thought I would share for you to make of what you will. The Afro 6/8 has been one of my stronger vehicles for a […]
VOQOTD: Pete La Roca on backbeats
What an insult for Fusion to impose the repetitive BackBeat on Jazz drummers! How ironic, since the BackBeat is merely the handclap used by American slaves when they were forbidden to have drums! How bizarre […]
Two videos
Here are a couple of nice videos from my fellow drumming blogs while I recover from my little Oregon coast mini-vacation: First, a video on practicing by Steve Smith, from the excellent new Melodic Drummer […]
Transcription: Four – more intros
Once you get going on these, it’s hard to stop. And it looks like I’ll have to do one more, because in a near-inconceivable oversight, I left off my favorite one, by Tony Williams on […]
Something stupid
I hope you’re ready for a descent several circles deeper than usual into pure drumming geekdom today, as I’ve been fooling with devising a sticking system for all limbs, and combinations of limbs. I don’t […]
Big band figure builder
Here’s another installment of a thing I’ve been doing with several students, using Syncopation lesson 4 to get familiar with the basic moves and reading associated with setting up and kicking big band figures (“cutting” […]
Very occasional quote of the day: Jack on Max
“…and he could play the fastest tempos!” – Jack Dejohnette on Max Roach I thought this one deserved its own post.
Paradiddles with 16th note triplets
Here’s a companion to the other pages of paradiddles I’ve posted, this time using an embellishment used in Wilcoxon occasionally- a 16th note triplet in place of the double. Playing the triplet starting on an […]