Something released in a year starting with a 2, for once. Here Bill Stewart solos during James, from Pat Metheny’s Trio – Live record. Stewart is a few months older than me, and is sort […]
Category: ECM
From the zone: ECM feel
Here’s something sent in by Ed Stalling of Missoula, Montana. He mentioned being inspired by my ECM feel post from 2012— which definitely needs to be revisited and some links updated— but he’s got his […]
World’s shortest Roy Haynes waltz lesson
UPDATE: See the page of practice suggestions for more on this! Someone on the internet asked me to explain what Roy Haynes is doing on the Chick Corea tune Windows, from the album Now He […]
Vashkar
The other day I listed some often-played tunes that had some kind of an mystique, at least in my mind. Here’s a tune that nobody ever plays, with a lot of mystique. Apropos of nothing— […]
Transcription: Jack Dejohnette – Timeless
Biggest longest transcription we’ve done here in some time. This is Jack Dejohnette playing on Timeless, another essential recording by John Abercrombie. Jan Hammer also appears. I got my copy of this album at Rasputin’s […]
Figure Control: 4/4 – Nexus riff
Let’s do one of these for the rhythm in the Nexus practice loop. You’ll recall, with this Funk Control / Figure Control series what I do is take a single performance rhythm and put a […]
Practice loop: Nexus
Practice loop in 4/4, sampled from Nexus by Gateway— a trio of John Abercrombie, Dave Holland, and Jack Dejohnette, that put out a couple of records in the 70s, and again in the 90s. This […]
New Joel Rothman title
In the mail I just received a new book by Joel Rothman: Drumming Outside The Box – for Rock & Jazz. It’s basically a library of patterns focused around creating an unbroken rhythm on the […]
2-3-4 Method
With today’s “2-3-4” method, I’m getting into the “give your practice idea a name so people will remember it and treat it like it’s a thing” racket. This is a pretty easy method for use […]
Todd’s methods: Reed with RB and BR
Playing Latin styles, you end up using a lot of sticking combinations of RB and BR— B meaning both hands together— so here’s a basic way of using Ted Reed’s Syncopation to work on that. […]