Man, I’ve been writing way too many words recently. Let’s get back to the drums. I’m still spending most of my time with page one of this series, but here’s another variation on the Elvin […]
Category: Elvin Jones
Elvin’s afro-waltz: in 5/4
I’ve been working with Elvin’s waltz daily since I first posted about it, and have been getting great results- and not just with playing this particular type of feel. So let’s keep developing it. It […]
Transcription: Elvin Jones – Out of this World
Here’s another example of Elvin Jones’ “afro-waltz”– as I keep calling it- from the intro of the tune Out of this World, from the John Coltrane album Coltrane: The dotted-8th/16th rhythm you see a couple […]
Developing Elvin’s Afro-Waltz, part 2
I’ve been doing a lot of this sort of thing in my own practicing lately- practicing snare drum variations vs. a cymbal/hihat/bass drum ostinato, via Dahlgren & Fine, and my own materials. Ralph Humphrey’s Even […]
Tom moves
This Elvin thing is turning into a real epic– well, a very small epic, maybe, if you think about it- and I still have to complete the transcription. Here are the tom moves I would […]
Developing Elvin’s Afro-Waltz
Here’s a little something for developing the left hand using the feet-and-cymbal part from Elvin Jones’ groove on John Coltrane’s Your Lady. I always did that type of thing by just going for the sound […]
Groove o’ the day: Elvin afro-waltz
I’ve been working on a transcription of Elvin’s playing on John Coltrane’s Your Lady, from Coltrane Live at Birdland, but it’s not going to be ready today. Here’s a little teaser, though- the closest thing […]
Todd’s waltz
Or, the presumptuously-named Todd’s waltz, as I call it. I’m not attempting to claim the radical innovation of adding a hihat on the & of 3, it’s just how I often play a waltz, and […]
Jazz percussion
This is a concept I’ve been kicking around for years, I think since the term first came up for me in reference to Tony Williams in the history section Jack Dejohnette/Charlie Perry book: Tony didn’t […]
DBMITW: Elvin Jones
I was going to include this as an example in the jazz percussion post, but it really needs its own entry: It feels wrong- totally point-missing- to bring it up, I couldn’t help noting the […]