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Basic triplet solo ideas for jazz

  • March 4, 2011
  • 0

I’ve been posting a lot of hard stuff lately, so I thought I should throw a bone to the earlier-stage people. So here is an introduction to soloing with triplets in jazz. Learned thoroughly in […]

  • 4:3
  • downloads
  • exercises
  • metric modulation
  • polymeter
  • polyrhythms

4:3 metric modulation in jazz

  • March 2, 2011
  • 1

Here’s a little thing I put together to develop the 4:3 cross rhythm/metric modulation in jazz. Normally you actually want to explain an advanced concept like this, but really, if you don’t recognize it right […]

  • downloads
  • exercises
  • fast tempos
  • Reed interpretations
  • Reed Lesson 4
  • syncopation
  • Ted Reed
  • Todd's Methods
  • Tony Williams

Todd’s Methods, Pt. 1: daku-daku-paradiddle

  • February 24, 2011
  • 0

New series: quick and dirty presentation of some of my practice methods. The idea is to write them up fast and on one page, so explanations may not be as thorough as everyone would like. […]

  • downloads
  • exercises
  • fills
  • reading
  • Reed interpretations
  • syncopation
  • Ted Reed

16th note fills using Syncopation – Part 1

  • February 22, 2011
  • 0

This is the first part of a method for working on 16th note fills, which I developed for my intermediate students. It requires some selective reading, but in a constructive way- the same type of […]

  • downloads
  • exercises
  • Haskell Harr
  • Moeller
  • rudimental
  • three camps
  • Wilcoxon

Three Camps

  • January 29, 2011
  • 3

This is a traditional rudimental piece going back to at least Civil War days- it consists of accented rolls in a triplet pulsation. Originally it functioned as a sort of camp alarm clock, as part […]

  • big band
  • downloads
  • exercises
  • fills
  • jazz
  • kicks
  • Reed interpretations
  • Reed Lesson 4
  • set-ups
  • syncopation
  • Ted Reed

Kicks and set-ups using Syncopation

  • January 21, 2011
  • 0

Here’s a little method I devised for working on basic big band-style kicks and set-ups, using Ted Reed’s Syncopation. Like many of the ways of working with Reed, it involves some selective reading/interpretation, but in […]

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