This came up while I was practicing out of my book, Syncopation in 3. An extremely ordinary practice system used with Syncopation is to a) swing the top line rhythm, b) fill in the remaining […]
Category: jazz
WSRHWL addendum!
A couple of pages to go with my wild, sprawling, scattershot world’s shortest Roy Haynes waltz lesson. That contains a lot of raw concepts for someone who is listening to a lot of Roy Haynes to […]
Transcription: Max soloing
On this second of two days of major acts of white supremacist violence here in this paradise we call “the USA”, let’s retreat into art, with part 2 of the thing from the other day: […]
Transcription: Max comping
That’s the theme of the week now: jazz comping. Here’s Max Roach playing on the horn solos on A Little Sweet, from his record The Many Sides of Max. Each solo is 24 bars long, […]
Transcription: Shadow Wilson comping
A little bit of Shadow Wilson’s playing on Nutty, from Thelonious Monk with John Coltrane, at Carnegie Hall. This is Monk’s second solo chorus, starting at 2:33. The tune is 32 bars long, form is […]
Solo transcription: Billy Higgins – Dear John
More soloing from Billy Higgins, on Dear John, on Freddie Hubbard’s record Bolivia. The tune has the same chord changes as John Coltrane’s Giant Steps, which is a 16 bar form, but the drum solo […]
Reed tweak: yet another uptempo method
Minor tweak to an ordinary right hand lead Reed system, making an approach to playing jazz at fast tempos. I’ve probably written something like this before, I can’t be bothered to check. This way has […]
Transcription: Billy Higgins trading
Some uptempo trading 8s and 4s on Moose the Mooche, from an old favorite album, Wish by Joshua Redman, with Pat Metheny and Charlie Haden, and Billy Higgins on drums. I used to play along […]
Daily best music in the world: 80s McCoy and Roy
I’ve probably posted this before, I don’t care. A record forgotten by everyone, released on Impulse! about the time I was going to school in LA, at USC. I listened to this a lot, and […]