This is a pretty straightforward page of coordination patterns with overlapping doubles between the hands— each exercise has a repeating right-both-left sequence, with a basic hihat part, and a variety of basic patterns on the […]
Category: latin
Best books: The Essence of Afro-Cuban Percussion & Drum Set by Ed Uribe
Buy the book Leafing through a copy of Ed Uribe’s book The Essence of Afro-Cuban Percussion & Drum Set, you may be inclined to Google Map the location of the nearest bridge, and then drive […]
Practice loop: basic cascara
Here’s a little non-traditional Latin jazz practice loop, sampled from the intro of the tune Mi Montuno, from the Bamboleate, by Eddie Palmieri/Cal Tjader. There are a couple of caveats about it, but it’s not […]
Mozambique listening
Here is a YouTube playlist of the tracks cited in the Mozambique variations post, plus a few things: After the break I’ll give some brief notes on some of the tracks: Eddie Palmieri — Melao […]
Mozambique variations
With apologies for the late lack of posting, here is a little bit of a retread/refinement of my earlier Page of Mozambique. I’ve been working with this feel quite a bit, but have struggled to […]
Page o’ coordination: “Latin in 3”
“Latin 3” is not a style name you often hear; it’s not a true Cuban/Salsa style that I’m aware of, and is not a super-common Brazilian style. But jazz musicians will call for it occasionally, […]
Brazilian 7
Here’s a short method for getting your Bossa Nova/Samba in 7/4 together. Since it’s not exactly an everyday thing, short is the only way to do it. We’ve discussed before the obvious wrong-seemingness of odd […]
Groove o’ the day: Jorge Rossy calypso
I’ll try to keep these little quicky-posts coming as I work on our Book of Intros, and a couple of other pressing, revenue-generating, writing projects. This is a little calypso groove by Jorge Rossy, on […]
Grooves o’ the day: two by Frank Butler
This week I’m hard at work on the new Book of Intros (a collection of transcribed jazz drum intros), and it’s forming up nicely. If I don’t get bogged down in the text part, it should […]
Generic Latin method for Syncopation: part 1
Here’s a basic method for doing a generic, Afro-Cuban-derived Latin feel using the book Syncopation. We’ll be taking rhythmic patterns out of Reed, and using them as our bell pattern, playing them with the right […]