Raising awareness about rhythm here, with some variations on the typical backbeat rhythm— the 2 and 4 and 4/4 time— written in 4/4, 2/2, and 3/4. Does a waltz have a backbeat, technically? I don’t […]
Category: reading
Marking up Reed
You know, I think we should all own multiple copies of Syncopation— first because they tend to get destroyed through use, second so we can pencil in our own changes without turning the book into […]
EZ set ups and partial filler
I’m working through this with a student. It’s an easy reading item for the drum set, with a narrow set of parameters, using my tresillo inversions page (lines 1-8 only), my tresillo inversion combinations page, and […]
Syncopation exercise: p. 38 with ties added
One minor gap in the rhythms covered in Syncopation— that’s a drumming book, hahaha omg— is that there aren’t so many syncopated long notes on the “weak” beats, 2 and 4. There are relatively few ties […]
Syncopation exercise: page 38 inverted
A little writing experiment here: I’ve inverted the rhythm from the full page Exercise 1 from Progressive Steps to Syncopation, on p. 38 in current editions, famously on p. 37 from earlier editions. It’s one […]
Reed tweak: four beats per drum, cycling
Here’s an easy way to modernize your melodic phrasing when playing an ordinary thing using Syncopation— everyone knows about playing the melody parts from the book on the snare drum and bass drum, along with […]
Syncopation exercise: Accents from Chasin’ the Train – 01
Companion to yesterday’s post: a syncopation exercise based on part 5 of the Chasin’ the Trane transcription— all of the accents played on the snare and bass drum. As usual I’ve followed the Reed convention […]
Bass drum rhythms for feathering
I wrote this up after listening to Mel Lewis’s history of jazz drumming tapes, where he was raving about the importance of playing time on the bass drum (he really gets into it after 43:30). He […]
Syncopation exercise: two notes per measure – 01
Another syncopation exercise written with a special set of parameters— this one just has two notes per measure, with quarter note or greater spacing. Last year I did a page of one-line exercises that way. This […]
Syncopation in 5/4 – another format
A little throwaway item, as I continue working out the formatting for my upcoming book, Syncopation in 5/4, to be released God knows when. The problem is how to deal with phrasing the measures 2+3 […]