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Category: syncopation

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Basic fluency in 12/8

  • August 31, 2016
  • 0

Right, so it looks like we’ll be doing a lot with this triplet feel this week— mainly getting comfy improvising within this 12/8-style blues, soul or pop groove. Think Lopsy Lu, Higher Ground, Isn’t She […]

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Reed interpretation: triplets with breaks

  • August 23, 2016
  • 0

I don’t why it took me over 30 years to figure this out— I’m always looking for ways to simplify things, to make them more playable. This is an alternative to a very common, popular, […]

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EZ Reed method with flams and 16th notes

  • July 12, 2016
  • 0

Another “EZ” Reed method for rock/funk fills, similar to our recent triplet method, this time using pp. 24-27 from Syncopation. I won’t break it down completely, but you can figure it out by looking at the […]

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A good book you should all chase down

  • June 29, 2016
  • 2

Look for the book withthe really goofy cover. I just want to take a moment again to recommend you all try to find a copy of the book Syncopated Rhythms for the Contemporary Drummer by […]

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EZ Reed interpretation: triplet lick

  • May 30, 2016
  • 0

Here’s an easy practice method for use with Ted Reed’s Syncopation, developing a triplet lick. What I like about these things is they’re finite. You do the fifteen lines, plus the long exercise, and you’re […]

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  • Tony Williams

EZ Tony Williams-like method

  • May 6, 2016
  • 1

EZ-ish. The concept is extremely simple, anyway. Scarcely worth writing up, but here it is. And when I say Tony Williams-like, I mean “it reminds me of one thing he kind of did on a […]

  • best books
  • syncopation
  • Ted Reed

Why Syncopation is so great

  • April 24, 2016
  • 1

Here’s a question that comes up often, and which I always I feel I have to address every time I have a new student buy Ted Reed’s Progressive Steps To Syncopation: “Whuh— this is just […]

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Orchestrations of a figure: Groove Elation

  • April 18, 2016
  • 0

Today we’ll do a little survey of ways of orchestrating on the drums a rhythmic figure— the bass line from the tune Groove Elation, by John Scofield. It’s a bright New Orleans-influenced thing, with a […]

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  • Reed
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  • Todd's Methods

EZ cut time funk method

  • March 26, 2016
  • 0

Here’s an easy cut time funk technical study, sort of a flanker for my basic method, serving really no purpose except to set up a situation where unexpected things can happen. It’s easy to get […]

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Cut time funk method: two-measure grooves

  • March 22, 2016
  • 0

I’ve been working quite a bit with this cut time funk method from last year— part of what I’ve been doing instead of writing more blog posts. I’m not just writing junk to burn up […]

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