Look for the photos with water and the Helvetica font. The “ECM feel”, as it’s now being called, is a style that evolved in the late 1960’s and 70’s, and has since become one of […]
Category: syncopation
Basic solo vocabulary with Syncopation
Hey, it’s been awhile since I’ve posted anything downloadable of my own, and you don’t want to hear me prattle on about cymbals and crap, so here’s a basic solo vocabulary builder I’ve been working […]
Paradiddle-diddle method for uptempo jazz
This is something I developed for both for getting some relief while playing fast tempos, and for doing a modern feel without getting your cymbal pattern lost in the weeds. The seed of the idea […]
Todd’s paradiddle-diddle interpretation
This is the first practice method for the pages of syncopation exercises I posted the other day. Today I’ll give it to you just for the hands only, then later I’ll show you how I […]
Syncopation exercises with dotted quarter notes
This is one of many pages of original Syncopation variants I’ve written up, in this case restricted to combinations of dotted quarter notes, quarter notes, and single 8th notes. I’ve devised a few interpretive methods […]
On “feathering” the bass drum
what is this The word refers to playing quarter notes lightly on the bass drum as part of your jazz time feel. They used to call this playing the bass drum— I never heard the […]
Todd’s methods: Reed triplets in steps – BD
One of the common interpretations applied to Ted Reed’s Syncopation is to fill out the written rhythm with triplets, which can be pretty technically challenging due to all the doubles and multiples that come up. […]
Todd’s methods: Son of Daku-daku-paradiddle
Right, I’m starting to regret the name I made up for this thing– until I think of the alternative, long-winded description for this very common pattern. Now if I can just bring myself to call […]
Big band figure builder
Here’s another installment of a thing I’ve been doing with several students, using Syncopation lesson 4 to get familiar with the basic moves and reading associated with setting up and kicking big band figures (“cutting” […]
Simple variations on Syncopation, Lesson 4
That’s pages 10-11 for those of you with the old edition– as you can see I’ve given up completely and started referring to the parts by their new edition names. I’ve been working with this […]