Let’s take a break from watching the national degradation of the United States and its democratic form of government reach its apex live on Twitter/TV, wanna? Yesterday I was practicing one of my recent Reed […]
Category: Todd’s Methods
Page o’ coordination: jazz / RLRR
Working on this Elvin project the last couple of days, I noticed that, similar to Max Roach on another recording, he plays the snare drum in the gap in the cymbal rhythm a lot, for […]
Another Reed tweak
Another minor tweak on a normal Reed method, in a jazz feel. It’s good to have some easy options to relieve the tedium, and to bring more of the texture of real playing into it. […]
Two minor Reed items
Two jazz comping practice suggestions, which aren’t big enough to merit a full-fledged treatment, for the full-page exercises in Progressive Steps to Syncopation. Play these on the snare drum (with bass drum added in the […]
Reed method: bass drum with quarter note triplet filler – key
See, this is what I’m talking about— writing/organizing materials a certain way, you get practice ideas you wouldn’t have gotten just practicing the books. I could have used this 30 years ago, but it came […]
Stick Control patterns for a certain type of funk
A thing we do here is to rewrite/re-organize existing materials to make them better for practicing certain things. I hate hunting around the page while I practice, flipping pages, dodging things that are no good […]
Jazz fundamentals: playing basic rhythms on a cymbal
Usually people start with jazz coordination by playing snare drum independence patterns along with a static cymbal rhythm— see Jim Chapin’s Advanced Techniques, for example. It’s a thing to do, and it should be done. […]
Reed tweak: adding 16ths to a basic method
Another tweak to the same basic method we used with the tweak I posted last week: right hand plays rhythm on cymbal + bass drum / left hand fills in. That basic method is a super-standard […]
Reed tweak: adding flams to a basic method
This is a small tweak on a common funk practice method for Ted Reed’s Syncopation, adding flams to the method in which the right hand plays the book rhythm on a cymbal, and the left […]
Todd’s methods: accents to funk
This is an item for teachers, I suppose. It’s good to have more than one way of teaching things. There’s no reason for a student to have to struggle with something just because your preferred […]
