Minor little item, that can be done by itself as an elementary thing, or that can be used along with Syncopation. I wrote it to work through some fill alternatives within a right hand lead […]
Category: 16th notes
Reed tweaks: 16ths doubled
This is a small change to a very basic Reed method, that makes it a lot more interesting, to me. I don’t seek these things out, they just happen while I’m practicing. I play with […]
Syncopation p. 37 in 16th notes
Continuation of this item, in which I transcribe exercises by Ted Reed into 16th notes. Here I’ve done the famous page 37 exercise. I won’t be doing any other pages because that would be obsessive […]
Syncopation rhythms in 16th notes
This is a library item— you can print it and keep it with your copy of Progressive Steps to Syncopation. I’ve transcribed the one-line syncopation exercises from Reed into 2/4, doubling the rhythmic values. Just […]
EZ Tony Williams-like method: another setting
Here’s something that was leading me into a very modern, hiccupy, vaguely Chris Dave-like jazz concept. I was practicing along with the Coltrane recording of Big Nick, a medium-slow swing tune, and found myself doing […]
Chaffee linear phrases in 3/4 – 16th notes – 01
I’ve been trying to figure out why I never did that much with Gary Chaffee’s linear system; I find I’m a lot more interested when I vary the rhythm, and when I’m not always starting […]
A Reed method for 16th notes in jazz— reading 8th notes
Continuing our previous Reed interpretation for comping with 16th notes in jazz, this time using the 8th note section of Syncopation— pp. 10-11, or “Lesson 4” in the new edition. The written rhythms on those […]
A Reed method for 16th notes in jazz — reading the quarter note sections
Over the course of a few posts I’ll break down my method for developing jazz comping with 16th notes, using Syncopation by Ted Reed. 16th notes are used a lot in jazz, and drummers neglecting […]
Learning to comp with 16th notes is a necessary misery.
Here I’m elaborating on what some comments in a Drummerworld.com discussion on these pages/recorded example from Jim Chapin’s Advanced Techniques for the Modern Drummer: I could just be trying to drag everyone else into my […]