A rare two-pager today. Here I’ve put a little flesh on the bones on the process I outlined in my earlier Cracking 5/4 series, with an easy first lesson coordinating snare drum and bass drum […]
Category: exercises
More Stick Control in 5/4
Another way of using Stick Control in 5/4 came up in my practicing recently, as I was working on Mevlevia. What I’ve done is change the rhythm to three beats of 8th notes and two […]
Basic paradiddle funk
Man, there’s just a whole lot of stuff besides blogging on my mind lately— like a Europe tour and recording project— so we may not see a lot of hugely substantive posts in the coming […]
Todd’s waltz — two measure phrase
Well, we should all have developed a pretty crushing medium-tempo waltz by the time we’re done here. Elaborating on my earlier “Todd’s waltz” piece— so-called (by me alone) because I don’t very often hear this […]
Completism ad absurdum
x10,000. Go. It’s kind of interesting when someone runs a common concept to its logical conclusion, forcing you to examine the premise of the original thing. In this case, the Stick Control model of practice […]
Coordination with a dotted-quarter cymbal pattern, in 5/4 — part 1
Extending this recent series of Dahlgren & Fine/Elvin-style coordination studies a bit further, here’s part one of the dotted quarter series, converted into 5/4: Swing the 8th notes and do the tom moves when you […]
Coordination with a dotted-quarter cymbal pattern – part 2
Here’s part two of our series of Elvin-esque four way coordination in a waltz feel, with a dotted-quarter note cymbal rhythm. Here the bass drum is in unison with the cymbal, and it’s a little […]
Coordination with a dotted-quarter cymbal pattern – part 1
There’s got to be a better title for that, but I don’t know what it is. Frankly, I’m just lucky if I can get anything posted at all at this point. Here we’re looking at […]
Rudimental Reed: five stroke rolls
I’ve been fooling around with applying some rudiments to the long exercises in Syncopation, by Ted Reed. We’ll start humbly with it, converting the written quarter notes (and tied 8ths) to untied rolls– an 8th […]
Survival chops: accented 8ths
This is never too far from my mind anyway, but playing a salsa gig this weekend it occurred to me how little advanced chops are required in most musical situations. What is usually required is […]