An easy page of rhythm exploration here, inverting a polyrhythm, combining inversions, and then inverting that. I’ve been encouraged to write these things after noticing that, starting with a simple 3:2 polyrhythm (or hemiola), running […]
Category: hemiola
3/16 Control – 02
A very dense page today, but it’s not for you, it’s for me. I was practicing the original 3/16 Control pages along with my Watermelon Man loop, and thought some of the permutations would be better […]
Converting 3/8 hemiola patterns to 2/4
That’s it, CRUISE SHIP DRUMMER! is now an all what-I’m-teaching-in-lessons web site. I’m preoccupied with other stuff right now, travel plans and whatnot. I started doing this around 2013, and quite a bit lately— changing […]
Hemiola funk patterns in 5/8
Here’s a nice easy page of hemiola funk patterns in 5/8— based on our friend the 3:2 polyrhythm. World’s fastest way of getting your students playing hip stuff in 5, if you already (wisely) ran […]
Page o’ coordination: grocery store hemiola – 01
So-called because I found myself unconsciously tapping this out in the grocery store parking lot while waiting for them to bring out my groceries. …incidentally, for the sake of limiting your exposure to COVID-19, I […]
Hemiola funk series: all basic patterns in 3/8
UPDATE: Download link works now! There’s an ongoing political crisis happening in the United States right now, and it’s really hard to write, or do anything else productive. It’s very serious and basically every human […]
Hemiola funk series: all patterns combined
Continuing to work through the possibilities of the hemiola funk series, in hopes of eventually making a concise, coherent method out of it. It has been great for my students— adult beginners, and kids under […]
Hemiola funk series: S3B
Another variation on the hemiola funk thing, with the main pattern ending with a double on the bass drum— a snare hit + 3 bass hits. I continue to tweak the basic template to cover […]
3:2: varying the 3-side
Here we’re essentially doing straight 8th notes against a broken triplet-feel cymbal rhythm, in a triplet-feel context. For me this is mainly for playing straight 8ths in an Afro 6/8— which I already covered back […]