Here’s a little four measure phrase by Thelonious Monk, which has been a big influence on my thinking, in playing the drums. It’s a little microcosm of the way you develop a melodic idea in […]
Category: jazz
Page o’ coordination: anticipations
Here’s a set of exercises which will force you to really get to know the &s of beats 2 and 4, and, by their frequent absence, beats 1 and 3: Swing the 8th notes. Listening […]
A Reed method for 16th notes in jazz— reading 8th notes
Continuing our previous Reed interpretation for comping with 16th notes in jazz, this time using the 8th note section of Syncopation— pp. 10-11, or “Lesson 4” in the new edition. The written rhythms on those […]
A Reed method for 16th notes in jazz — reading the quarter note sections
Over the course of a few posts I’ll break down my method for developing jazz comping with 16th notes, using Syncopation by Ted Reed. 16th notes are used a lot in jazz, and drummers neglecting […]
Page o’ coordination: Out Of This World
For all of these POCs I’ve posted, I’ve actually been writing and practicing quite a few more. Here’s one elaborating on one of the very first entries in this series, but with a more advanced […]
“Skiplet” analysis— a line of music
Continuing with the analysis portion of this skiplet-based method of jazz coordination-thingy, in which, in order to learn independence vs. a jazz time feel, we orient everything around the three close-together notes of the cymbal […]
A Philly Joe intro: Dance of the Infidels
Oh, I was going to put out a book of intros, wasn’t I? Most of the transcribing for that project is actually done, and now I just need to do the not-fun part of laying […]
Page o’ coordination: Dannie Richmond-inspired — harder
I need to keep saying this: we do so many of these Pages o’… that a person could get the mistaken impression that I think this is the best way to learn drumming vocabulary. I […]
Page o’ coordination: Dannie Richmond-inspired
A page o’ coordination inspired by that last Dannie Richmond transcription, with a syncopated cymbal pattern. Are you getting to the point with these that you can anticipate what the left hand parts are going to […]