Oh, it’s on.* I guess. At least, Sam Nadel has posted a nice flammed triplet warm-up, and, inspired by that, I wrote a similar one of my own, with flam drags, and same-handed flam accents, […]
Category: snare
Exercises for developing a common Reed interpretation
Following up on the Key to right hand accented triplets post, here is a set of exercises for getting my recommended stickings together: Get the pdf
Paradiddle-diddle variations, for jazz
Hey, we haven’t done anything for the snare drum in awhile— in my own practicing I’ve been preoccupied with Dahlgren & Fine’s Accent On Accents books, and Buster Bailey’s Wrist Twisters, and my students are […]
Survival chops: right hand lead
This is the second in an extremely short series covering the bare essentials of what you need for “drumistic” fill, variation, and solo material across a variety of styles— you can read the intro to […]
Crossing accents
This very simple idea occurred to me while I was working on an Elvin Jones transcription today— either I had an insight into an underlying concept in his playing, or I was just daydreaming. What […]
Alan Dawson’s “Ruff Bossa”
We’re laying it on pretty thick with the Reed interpretations right now, but I just went over this with a student, so I need to put up one more. It’s a swing interpretation with partially […]
Rudimental Reed: ruffs
Today’s Rudimental Reed entry is pretty straightforward— just make a ruff out of any note that doesn’t have an (untied) 8th note before it. That’s an awkward way of phrasing it, but I think you’ll […]