Well, it’s been a whirlwind of OTHER STUFF lately, hence the lack of posts— I won’t bore you with that. This came up while working with our recent John Zorn loop in 7/8; it’s a […]
Category: snare
Stick Control patterns in 3/4, with flamacues
Another variation on the recent page of Stick Control-type patterns in 3/4, this time making a flamacue-type construction, with a flam right before the accent: Read the description of the previous variation for some technical […]
Stick Control patterns in 3/4, with flams and accents
A little companion to the page of Stone patterns adapted into 3/4, from the other day— here I’ve added some flams and accents to the sticking patterns from that page: Quite a few of the […]
Stone-type exercises in 3/4
Oh, I thought I already shared this. No big woop, just some easy front-of-Stick-Control type exercises written in 3/4: Just play them on the snare drum, or root through the archives and find some drum […]
Variations on Stone flam patterns — triplets and 16ths
Lately I’ve been doing a lot with modulating between triplets and 16th notes, using similar stickings/coordination patterns. I’ve observed that it’s a thing with Elvin Jones’s drumming that he will play similar things in either […]
Snare drum workout in 5/4 — accented 8th notes with flams/drags
Another flam accent/flam drag-oriented snare drum workout, which is a good companion to this one in 6/8 and this one in 2/4— this will be a little difficult if you haven’t mastered those first, actually. […]
Snare drum workout in 6/8
I’m all about the one-page workouts these days, so here’s another one, for snare drum, in 6/8. The first goal is just to be able to play each of the patterns individually; probably some of […]
Survival chops: triplets and 16th notes, accented
Here’s a page of stuff that should be handy, with some accented 8th note triplets and 16th notes in 3/4 time. Playing 16th notes at the end of a run of triplets is something I […]
Snare drum workout in 2/4
Easing back into posting stuff, this is a short snare drum workout in 2/4, based on a simple accent pattern, developing a quasi-rudimental, flam drag/flam accent/flamacue-thing I improvised while warming up on a practice pad. […]
Survival chops: six-stroke rolls
Or as I usually call them, “Swiss” sixtuplets— that’s my own coinage, based on an overheard conversation between two drum corps legends, George Tuthill and Alan Kristensen, who were my corps director and percussion instructor […]