EZ-ish. The concept is extremely simple, anyway. Scarcely worth writing up, but here it is. And when I say Tony Williams-like, I mean “it reminds me of one thing he kind of did on a […]
Category: Ted Reed
Why Syncopation is so great
Here’s a question that comes up often, and which I always I feel I have to address every time I have a new student buy Ted Reed’s Progressive Steps To Syncopation: “Whuh— this is just […]
Cut time funk method: two-measure grooves
I’ve been working quite a bit with this cut time funk method from last year— part of what I’ve been doing instead of writing more blog posts. I’m not just writing junk to burn up […]
A Reed method for 16th notes in jazz— reading 8th notes
Continuing our previous Reed interpretation for comping with 16th notes in jazz, this time using the 8th note section of Syncopation— pp. 10-11, or “Lesson 4” in the new edition. The written rhythms on those […]
A Reed method for 16th notes in jazz — reading the quarter note sections
Over the course of a few posts I’ll break down my method for developing jazz comping with 16th notes, using Syncopation by Ted Reed. 16th notes are used a lot in jazz, and drummers neglecting […]
Reed interpretation: fast within slow — alternative sticking
Here’s another set of stickings for that last “fast within slow” Reed interpretation. The major thing we’ll be using is the sixtuplet form of the six stroke roll— or the “Swiss” sixtuplet, as I sometimes […]
Reed interpretation: fast within slow
Our philosophy around here is to never stray too far from Reed without good reason— I have to relearn that every few years. So here’s a thing for beginning to develop the Jack Dejohnette-style “fast within […]
Syncopation exercises in 3/4 — 01
This is a straight library piece: some syncopation exercises in 3/4, similar to the one-measure exercises in the middle section of Ted Reed’s Syncopation, for doing all of the usual things you do with that […]
Doubling up a ballad feel with Syncopation
Happy new year, everybody. I’m practicing a lot of slow tempos lately, so here are some Reed interpretations that will be familiar to all jazz students, written out to suggest double time during a ballad. […]
Good reading
Ignore the model’s bad posture, tucked-in muscle shirt, and Bay City Rollers hairdo, and buy the book. If you’ve worked with Ted Reed’s Syncopation in any serious way you’ve probably sensed that it has a […]