Let’s start a little series here: some full page syncopation exercises, each designed for a special purpose. Good for fluency and ease of practice with certain practice methods, good for a particular challenge with others. […]
Category: Reed interpretations
Uptempo bailout drill
I’m not great at playing superfast tempos. I can sound really good at the magic Roy Haynes tempo (half note = 143, which sounds very cooking to normal people), with diminishing results as we get […]
Reed method: 32nd note linear lick
Another easy little practice method, for playing soloistic stuff, using Progressive Steps to Syncopation, which you can play in conjunction with this other recent item. This one uses a favorite Gary Chaffee linear lick that sounds […]
EZ 32nd note Reed method
Well— cut time 16th notes, which are 32nd notes functionally, if “common time” is our reference point. Perhaps a subject for another occasion. This is a very simple drill for playing fast singles in context as […]
Rock drill
Here’s a rock drumming practice system, that is related to my harmonic coordination improved method, and also this post on developing rock fills. I’ve been using it with students of all ages, and have been […]
Ruff bossa on the drums
This is something I was working on with a Skype student* recently: ideas for practicing Alan Dawson’s “ruff bossa” method on the drum set. …first, nobody ask why it’s called ruff bossa, because I don’t […]
Preparation for Reed triplet studies
A page of short triplet exercises that are preparation for some of the major practice methods I do with the book Syncopation: the right handed solo method, and the so-called “Ruff Bossa” method, found in […]
Reed triplet method with RH accents
Writing yesterday’s piece I realized I’ve never posted a really satisfactory explanation of the RH accent triplet solo method— a very useful way of practicing Progressive Steps to Syncopation, which I’ve relied on a lot […]
EZ linear quarter note rock method
I may have written this up before, but I can’t find it in the archives, and I probably didn’t include the embellishments I’m going to tell you today, so what the hell, let’s do it […]
Syncopation p. 37 in 16th notes
Continuation of this item, in which I transcribe exercises by Ted Reed into 16th notes. Here I’ve done the famous page 37 exercise. I won’t be doing any other pages because that would be obsessive […]