Please forgive the lack of posting here— it’s been in the high 90s/low 100s in Portland for over a week, and it’s putting a serious damper on my productivity. The climate in the Pacific Northwest […]
Category: Reed interpretations
Quarter note Reed method: Maiden Voyage
People, I am all about the quarter notes these days. This is an easy method using the rhythm of the vamp from the Herbie Hancock tune Maiden Voyage— we’ll combine that rhythm, played on the […]
Half-time feel funk: the “Syncopation” section — a small tweak
Continuing with my late Reed funk method here, which now has its own label— click on that link to get the whole series. It’s becoming quite substantial— I see a book in our future… If you’ve […]
Half-time feel funk: the “Syncopation” section — 01
Here’s a new chapter to our recent half-time feel funk series, using Progressive Steps To Syncopation, by Ted Reed. Here we’re going to get into the “Syncopation” section of the book— pp. 32-44 in the […]
Half-time feel funk: advanced method — open hihat
Here’s the next step for this half-time funk method we’ve been doing, using Syncopation, by Ted Reed. On the intermediate method and on this one we’ll be using the pages with quarter notes, 8th notes, […]
Half-time feel funk: intermediate method
Here’s the next phase of our little half-time feel funk method, using Ted Reed’s Syncopation. We’ll use pp. 29-30 out of Reed, with the quarter notes, 8th notes, and 8th rests, along with the page […]
Half-time feel funk: basic method
Here’s a basic method for working with the half time feel funk grooves from the other day. We’ll be reading out of Syncopation, by Ted Reed, pp. 10-11 (from the old edition) or Lesson 4 […]
A Reed method for 16th notes in jazz— reading 8th notes
Continuing our previous Reed interpretation for comping with 16th notes in jazz, this time using the 8th note section of Syncopation— pp. 10-11, or “Lesson 4” in the new edition. The written rhythms on those […]
A Reed method for 16th notes in jazz — reading the quarter note sections
Over the course of a few posts I’ll break down my method for developing jazz comping with 16th notes, using Syncopation by Ted Reed. 16th notes are used a lot in jazz, and drummers neglecting […]
Generic Latin method for Syncopation: part 1
Here’s a basic method for doing a generic, Afro-Cuban-derived Latin feel using the book Syncopation. We’ll be taking rhythmic patterns out of Reed, and using them as our bell pattern, playing them with the right […]