This is a library item— you can print it and keep it with your copy of Progressive Steps to Syncopation. I’ve transcribed the one-line syncopation exercises from Reed into 2/4, doubling the rhythmic values. Just […]
Category: exercises
Two hemiola coordination patterns
This is partly about rhythmic education, partly about drilling a couple of basic drumset coordination ideas, and partly about education on the polyrhythmic foundation of common funk rhythms. It is based on this page of hemiola […]
Afro 12/8 – funk – updated
This page is an update of something I wrote in the wilds of 2013— a page of bass drum variations for a funk-feel Afro-Cuban 12/8, with a backbeat on 3. I had a student play […]
Page o’ coordination: Idris Mozambique
A page of exercises for learning basic performance vocabulary using Idris Muhammad’s Mozambique-like cymbal rhythm from this recent groove o’ the day. Play each of the hand patterns many times— if you need to, start […]
Stick Control flams in 5/8 – 01
This is pretty straightforward, almost something you can do without writing it out— I’ve simply transcribed the basic flam exercises from p. 16 of Stick Control into 5/8. I get bored practicing things in a […]
Tyshawn Sorey linear lick
I did something I don’t usually do— transcribe a lick for a stranger on the internet with no context and no information about the player or music. I have no idea where the person got […]
Open ratamacues for drumset
More jazz solo vocabulary: my previous page of open ratamacues, adapted for the drumset. It’s pretty simple: we’ve just moved the doubles to the bass drum. I eliminated the triple ratamacues because I don’t like […]
Page o’ coordination: basic jazz waltz – 02
Another page of basic jazz waltz materials, with a dotted-quarter note rhythm on the bass drum, which gives your waltz a more rolling feel. As opposed to the traditional, rather hokey boom-tap-tap feel. Play the […]
Open ratamacues – 01
Anyone know what the story is with ratamacues? I don’t get it. Why a ruff on a 16th note triplet? As a fundamental sticking pattern they’re ungainly, and as musical vocabulary they’re ill-defined, tensionless blobs […]
Accents in 5/4 – mixed rhythm – 01
Exhibit A for why we keep writing. I was practicing yesterday, and I thought hmmm I want to work on this one thing, and out the thousands of pages of drumming materials in my studio, […]